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Mafia in Milan: an issue to talk about

The news last week, but are at least five months that the issue has become national in scope, that is since the "small" miracle of television, you come with me, through a monologue Roberto Saviano had thrown in the face of all the Italians in the early evening, the stark reality of the Mafia in the North.
Not that anyone had done it first: the work above and below the stage of Giulio Cavalli is a manifestation stimabilissima, but you know, when you pit the small screen, the impact was devastating.

On 15 March, after three years of investigations were arrested 35 people allegedly affiliated with the 'Ndrangheta.
The thing that strikes me most is the silence on the subject. As if silent enough to eliminate the problem, as if he did not know that silence does nothing but encourage the mob.
in recent years (as described in the DIA report, Anti-Mafia Investigation Department, of 2010) in Lombardy, the 'Ndrangheta is evolving and branching more and more. The news of the investigations and arrests, therefore, represented only the tip of the iceberg. An iceberg that we've always liked to think far, but now embraces our lives from evil with good northern love.

was soon clear that the mafia would also finally landed in the north: the perfect machine business is to manage their business where the money run more, and bled to death after the South here is the bosses who make the summit between the aisles of groceries, and Arci circles in the province, and are seeking protection money to clubs . But the investigations, especially, reveal how the 'Ndrangheta has contributed to major public and private works of our city: the former Fair to hatch, the former Ansaldo Via Tortona, the parking of Piazza XXV Aprile, the metropolitan street Comasina and Viale Zara, the underpass Lambrate, work for the State Route 36 in Monza, and many others).
is a macroscopic problem, a problem that becomes even more deafening in the silence of local governments.

Just today on the pages of Corriere (national edition) has reported a letter from the Attorney of Reggio Calabria, Giuseppe Pignatone , explaining in detail the phenomenon of the 'Ndrangheta in Northern Ireland and, once again, calls for the breaking of 'conspiracy of silence, the abuse of civil resistance in front of the mob.
But the strong reaction, as well as civil society, must reach a political and administrative level. First of all beginning to talk about it, let alone the emotions and pride of belonging to the North, thinking that the mafia is a problem of the South only. It is a problem all over Italy, is perhaps the biggest problem, more great corruption and tax evasion, we often forget to be consequential in an entrenched organized crime across the country.
But what can the political power, in particular the administration of a city like Milan?
Check the awarding of contracts, even with an anti-Mafia commission in view of the Expo (because it is reinforced by the gangs that draw their lifeblood), tackle drug dealing in the entire "supply chain" (the 'Ndrangheta operates the largest international drug trafficking to South America), and put in a position to encourage citizens to report illegal phenomena, invest courses in education law.

"When it comes to organized crime, comes as a sort of melancholy end: what can we do about this? In reality not everything is dark, and it is important to talk about it. [...] One of the things that the organization fears the most is the act of men, acting with dignity, not bending, not as a favor to ask what is rightfully ours [...]. At a time when each of us is not evil, they're doing back and dreaming of an Italy is perhaps different. "

(Roberto Saviano, Come away with me )


For further information:
Milan, on the hands of local clan vip
Saviano says the league is silent because the Mafia infiltrated the north.
'Ndrangheta, the alarm of the Dia: interactions with companies in Lombardy
hands of the' Ndrangheta in Lombardy

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Speech of Pericles to the Athenians

Speech Athenians

" Here nostrogoverno favors the many instead of just a few:
and this is called democracy.
Here in Athens we do like.

Laws quiassicurano equal justice for all in their
private disputes, but we never ignore the merits of excellence.

When uncittadino stands, then it will be, in preference to other
, called to serve the state, but not as an act of privilege as a reward
merit, and poverty is not an impediment.

Here in Athens noifacciamo so.

Freedom of cuigodiamo extends everyday life, we are not
suspicious of each other and do not bother if ever our
next to our neighbor like to live in his own way.
We are free, free to live just like we like
and yet we are always ready to face any danger. A

cittadinoateniese does not neglect public affairs when it expects to
own private affairs, but also is not concerned with public affairs
to solve his private matters. Here in Athens

noifacciamo so. There is

statoinsegnato to respect the judiciary, and we have been taught
also comply with the laws and never forget that we protect those
receiving offense. And there was

ancheinsegnato to respect those unwritten laws that
reside in the universal sense of what is right and what is
common sense. Here in Athens

noifacciamo so.

siinteressa A man who state we do not consider it harmless, but useless
, and although a few are able to give life to a
politics, all well here in Athens we can judge it. We

nonconsideriamo discussion as an obstacle on the path of democracy
.
We believe that happiness is the fruit of freedom, but freedom is only the fruit of
value.

short, ioproclamo that Athens is the school of Hellas, and that every Athenian
growing developing in him a happy versatility, confidence in lifetime ok stick,
readiness to face any situation and that is why the
Our city is open to the world and we do not never expel a foreigner. Here in Athens

noifacciamo so. "

Pericles 461 BC

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shrines

shrines

The main centers of worship of the Greeks were the shrines, which was originally simply defined by a temenos sacred precinct said. Conl'andare time, however, is greatly enriched structures, temples Estado. At shrines, priests preached the destination of pilgrims who saw datutte parts of Greece. The main centers of worship in Greece furonol'oracolo at Delphi for Apollo and the sanctuary of Olympia Zeus.

The sanctuary of Delphi was famous for the predictions of dioApollo through the Pythia, his interpreter. Many people were visitaall'oracolo and, especially in times of war, generals and warlords sidirigevano there to have direction on places to colonize.
The sanctuary of Delphi was a multifunctional complex composed of piùcostruzioni: the entry was the temple of Athena tholos Pronaia, dallostile Doric. Also there was the high school complex consists of a gymnasium, swimming pool gym and other buildings. At the center of the complex were Lavia sacred to Apollo and the temple, a Doric temple with a periptero peristasidi 15x6 columns.

The sanctuary of Olympia in 776 BC, thousands gathered to watch the games that diGreci Panhellenic, better known as Olimpiadi.Le Olympics were a collection of physical evidence that led all'incoronazionedi a man and a child, whose fame became enormous. Giochipotevano to participate in both free men slaves, but married women. Overall
of Olympia was the temple of Zeus, with a Doric peristyle di6x13 columns, so a little 'smaller than that of Apollo; eral'uguaglianza between particularity and opisthodomos pronaos. The temple was made of limestone with polychrome stucco conchiliferodecorato. It is believed that the sculpture of the statue of Zeussarebbe been assigned to Fidia, already famous for the work accomplished by AthenaParthenos.

Gym in Olympia

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The Acropolis of Athens

The Acropolis of Athens

The Acropolis of Athens, the highest part of the city dominatutto the rest of the polis, already existed as the seat of the Mycenaean age palazzoregio. Then began to fortify and enrich the acropolis conedifici and sacred temples, up to a clear differentiation Agora centrodella maximum civil activity. With Pericles the Acropolis reaches proprioapogeo of splendor.

The first building to be built by Pericles ilPartenone, wonderful temple dedicated to Athena Parthenos. The will was diPericle to want to pay tribute to propitiate the goddess scontrocon the Persians and also to sanction the military and civil powers in Athens.

Among the characters that contributed most modoall'edificazione the Parthenon there was Phidias, the great sculptor greek. Nel500 was born in Athens and became the apprentice of two great sculptors and atelieruscì by their very prepared in terms of bronze and marble sculpture.
Called by Pericles to participate in the creation of the Parthenon began unfrenetico work, both as project manager and as a sculptor nellarappresentazione the Athena Parthenos, gold and ivory. To enter the acropolis

iPropilei you had to pass, monumental gateway to the upper town. The
propylaea consist of a central body of six Doric columns sullefacciate side and the interior is divided into two halls, which has a nave quellooccidentale bigger. Propylaea stands next to the temple diAthena Nike, victory, a temple in antis, with six Ionic columns sullafacciata in front of the naos, the only cell of the temple.

the Erechtheion the Acropolis there was also a edificiosacro complex, consisting of an Ionic temple with six columns, and in the southern side of the temple of the Lodge of the kora, the entablature, where are those female sostituitefigure caryatids.

Acropolis

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Rationalization of urban structure

Streamlined strutturaurbana

After Athens was destroyed by the Persians in 480, began a restructuring of the city , initially completamenteirrazionale was, until the intervention of Themistocles and Hippodamus of Miletus.

The peculiarity of the new buildings in the city ritrovasubito Athenian port of Piraeus, attached to Athena, where, on richiestadello statesman, Hippodamus applied an orthogonal siincrociavano where the streets at right angles and allow an extension of strutturaurbana more rational, because spaces were measured with the measuring and extending civil unitarieunità was controlled.

The private building rather not come to us with many proveevidenti, but it is assumed that the houses were made of mattonicrudi walls, roofs or floors to be covered with tiles and could also trovaretorrioni defensive anchor symbol barbare.L this fear of invasion 'was made up of a large inner courtyard that gave light to all altrestanze and the roof was supported by pillars of wood, toilet and ilocali were somewhat reduced. Like the houses, the streets were too narrow and dirty, though with little functioning drainage channels.

You can also understand the overwhelming power of the emerging Athens nellepiante other Greek cities, all resumed Ippodamoper model of urban structure. However, it was especially Miletus

baluardodell'organizzazione the urban, because after the retaliation of the Persians in ionic confrontidei countries, Miletus unexpectedly rose from the ashes. The new city could accommodate
circaottantamila population. The city area, in addition to the two ports on the outskirts, siestendeva around a central area on a hill, summary dellefunzioni commercial, religious and administrative, in fact there were two Temples at Apollo and Athena, the market and el'agorà bouleuterion, home of consigliocittadino. Moreover, the main markets were closely linked all'attivitàportuale of the two "departments sea."

Plant Miletus

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classical Greece-introduction

Classical Greece-History

The Classical Age of Greece extends from diMaratona battle against the Persians at Marathon to the death of Alexander the Great.

Greece in this period saw the rise of unapolis eminently open to culture and the nascent democracy of Pericles, Athens. Lacittà undergoes a genuine restructuring, grandegovernatore hand of Pericles, which incorporates the Doric and Ionic architecture and alivelli door, thanks to masters such as Phidias and other architects of grandeoriginalità, always adapted to a mythical tradition .

Unlike the archaic statuary sculpture forms sonorappresentate a movement with pierced severe, prolonged, always a studiointellettuale toward the preservation of the canon.

The figures are no longer static plastic from the yield, but sonoin movement, shapes and curves are not rigidly erect, the body does not poggianecessariamente on both soles. It poses new sculpt eespressioni physiognomic. The same greed

representative of realism in the siritrova vase painting to painting in red figures.

Ahena Pronaia-Delphi

Continue reading ... "

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"Reclaim Milan at the end of winter

The sun was warm on the penultimate day of winter because it has held up quite below the earth, in Milan, in Piazza Fontana, you did a little 'noise and you download a bit' too much energy gained by enforced silence ... to say that "Milan is the bela" only if we can color the music and only if we can reverse its streets full of immense joy and celebration that we have inside. There were many
, Saturday, to cry out.
Then came Sunday and then Monday, then it is said that winter is over. Spring for men, but not for music, which will need to be protected, defended and promoted for a long time ... struggling because that day will come soon when we can finally say that for you, really, the long winter is over.

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The first difference you'll notice immediately is the form: the Chigi olpe with a bulge at the base, while François is a vessel with the maximum extension at about two thirds height.
The vase is a vase François volute, said the shape of its handles, and has been painted on the top 5 bands are in order from top: the hunting of wild boar Caledonia, the wedding procession of Peleus and Thetis the killing of Troilus by Achilles, and some animal-like grounds.
As you can see the performances are taken from Greek mythology and made with the style of black lines with great freshness Representative and organizational sophistication, albeit with little iconographic originality.
The olpe is, like the vase, descriptive, and is also part of the style of the black lines while not presenting the spontaneity that reaches Ergotimos, the painter of the vase. Note that the PLO does not appear as the name of the painter only later takes on the techno 'importance as an artistic character.
The olpe unlike the vase is painted on three sides and is linked to life scenes of aristocratic youth of Corinth.
The pace and dynamism of the third band from the PLO are also reflected in the yield of muscle animal in the vessel and in particular of Ajax and Achilles died.
In both works the line will be incised with a bit, so prohibiting a yield greater detail and the nuances of light and shade.

Left Chigi Olpe. François Vase

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The archaic temples

The first examples of archaic temples are located in Corinth with the temple of Apollo and Samos with the temple of Hera, the so-called Heraion.

The temple of Apollo at Corinth is a Doric temple periptero with a peristyle of 6 to 15 columns of 6 meters, monolithic, reflecting the dominance of the city (already seen in the PLO Chigi). The cell has two columns in pronaos nell'Opistodomo and interior, the naos is divided into two parts: one is divided into three naves by two rows of four columns, while the other two rows of two columns.

The temple of Hera at Samos is an Ionic temple Diptera with more than 100 columns forming an arcade practicable. The columns each have more than 40 grooves, thus forming a striking effect light.

The base of the columns has the bull trochilo crushed and meticulously worked on the lathe.

The Greek temples provided plenty of room for decorations and painterly sculptures. However many problems arose in the decoration style of gables, because it was very difficult to make a figure in a triangular space.

By contrast, about the sixth century it began to sculpt bas-reliefs of the temples in pediment

One of the most important examples is the scene of the Gorgon nell'Artemision of Corfu. At the center of the triangle of the pediment stands Medusa kneeling in an attempt to flee to Perseus. At his side are depicted the children and guardians of the temple two panthers. Instead, the corners are represented conceptually separate from the first scene: a Gigantomachy and a scene of the Trojan War.

Both the Doric temple that the Ionian and techno provided ample work space: the first in the metopes, frieze in the entire second.

metopes In another problem was caused by the need to represent the few figures in each metope, while maintaining a narrative of all the metopes.

One example is found in metope Treasure Island (temple where they were collected offerings to the gods) Sicyon, depicting three men just take away the stolen cattle.

Ionic friezes In contrast, the main problem was to find a scene fit to hold a two-dimensional space is very large.

A striking example is provided by us Sifin treasure, because in so large a space as the frieze are carved three scenes: the Judgement of Paris to the west, south of the rat Leucippidi, east and of the Council of Finally, the Gigantomachy north.

Temple of Hera

Temple of Apollo

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Beyond Casa 139 Milan

The Casa 139 is a historic Arci Milan, a red door is always open, an area of \u200b\u200bgreat live music and culture. From
Friday is no longer so. At the entrance stands the sheet affixed to the police ration, with the order of seizure. As explained Light Angelo, president of the club's alleged offenses are related to the issue "right now" and renewal of cards signed Arci in other circles.
not want to be hypocritical circles Arci enjoy important tax advantages, and can not afford carelessness and violations of the law, because it would be nothing but robbery fair competition. So if the illegality is proved, it is right that the club will be penalized. But
BEYOND THE contingent reasons (which are decidedly specious appear here) is an opportunity to reflect on the intentions of the admin area to our city against the social spaces, places of aggregation, culture, and music.
Actually, not missing any opportunities for reflection. The Monkeys, the Plastic, Black Hole, the Atomic (and the Rolling Stone?) Are surgically removing parts of past and future, placing bombs in the places that were the centers of our world, those where we met, we discussed, we spent hours in a trance to listen to good live music, we breathed the fresh air of culture, we had a chance to be together without turning off the brain. They are tampering with nodes nerve encounter and popular culture. Trying to disable connections, disconnected networks, sabotage ideas.
Or maybe just trying to stay at home. Because apparently that is how we want: distant, silent, faithful to the TV or (if you really want to leave) the premises to be chic to the evening uncocktaildodicieuro. And
say, and write it, puts a certain uneasiness, a feeling of despair and anger, because then we can never believe the way down that way. I do not want to believe. But perhaps it is: young people are scary. Our desire for closeness, sharing, fearful of the potential energy that can arise from our nuclei in contact. But what are
youth policy, if you try in every way to impede the flowering of youth culture in places of cure?
And what security policies we are talking about, if you have not done is to impose curfews, restrict the closing hours of the premises, empty roads and fencing off the streets? We are not afraid
in crying that this is not the destiny we want to Milan, and we are not afraid to say that this is not the fate that Milan will suffer.
revitalized, fills them with common nodes of a network of wonderful livability, culture, music, theater. Fill in the blank and the color gray.
It 's our great generational challenge.